REVIEW : On paper, this Telugu change of the Tamil film Thadam sound terribly brilliant. A story that sees copies at the focal point, all things considered, and gives the police division a run for its cash. Sounds energizing right? The truth is in any case on the grounds that regardless of interest winning the day and you needing to discover who has perpetrated this wrongdoing, Kishore Tirumala tests your understanding so a lot, you nearly need to surrender.
Siddharth (Ram Pothineni) is a strict structural designer who's nearly having everything he could ever hope for working out as expected. He has an extraordinary lodging project underway and the young lady he cherishes, Mahima (Malvika Sharma) loves him consequently. His clone Aditya is the specific inverse. A boozer, womanizer and player to the tee, he's likewise a shrewd trickster who loves to con the rich out of their cash, just to bet it all away in games. A homicide at a sea shore house handles these two in prison however with inadequate proof, the police office just have 48 hours to break this case. What occurs next is what is the issue here.
Be that as it may, before we get to the more restless piece of the film, on the grounds that there are two 'heroes' to investigate, Kishore Tirumala takes as much time as is needed at setting up their characters. After a specific point the character figures of speech get tedious and you makes you eager to understand what the purpose of this everything is. Siddharth sings two part harmonies in Italy, Aditya gets an uncommon number with Hebah Patel and the fact is driven home that they're total inverses till you're depleted. Also, when things do get moving, accounts are surged and insufficient time spent to let it hit home what's truly unfurling on-screen. Characters mouth plainly informative discoursed when you've recently witnessed everything on screen. Everything just advantageously occurs in the kindness of these doppelgangers. You get the float…
What manages job for the film notwithstanding the draggy account are the back-stories. Regularly one grumbles that producers never clarify why certain characters are how they are and pick apathetic composition. Kishore gives you all that and the sky is the limit from there. The story here too may not generally be convincing however in any event, he puts forth the attempt to assist you with understanding these individuals better. Would you like to try and realize these individuals better is an entire other story.
Slam is heavenly as both Siddharth and Aditya. He appears to be easy on-screen at playing both the nearly off-kilter, uneasy yet intrinsically 'great' Siddharth and the very awful man with the kind nature Aditya, the last of which appears to be seriously intriguing. Also, it is his presentation alone that makes you need to endure this entire act, regardless of whether after a point, you can anticipate the story far in advance. Malvika Sharma looks delightful and finds the opportunity for her character to be of some significance later on. (Regardless of whether it's time producers figure out how to quit showing brutality against ladies as realistic sayings which just fill the need of vengeance.) It's a secret why Amritha Aiyer exists in this story other than to fill some dubious need. Nivetha Pethuraj dominates at playing the wide-looked at innocent SI Yamini.
RED has its minutes and has two characters that are somewhat fascinating at its center. It likewise has a splendid cast. On the off chance that lone it were not let somewhere around a draggy screenplay. Give this one a possibility just if a bizarre, blended portion of sentiment, spine chiller and masala is some tea.
Rating : ✪✪✪
0 Comments